Scott Shepherd and Greta Gerwig (photo: Matthew Murphy)
"The Village
Bike" (through July 13, 2014) at the Lucille Lortel Theatrear
If the best thing
about the British import now filling the seats at the Lucille Lortel Theater is
the outstanding Off Broadway debut performance of film actress Greta Gerwig (Golden
Globe nominee "Frances Ha"), the play by Penelope Skinner is also worthy of attention. She has a provocative
and probing story to tell and dramatizes it effectively, if not with total
credibility. "The Village Bike" gives us an almost feminist perspective
on marriage, sexuality, pregnancy, libido, infidelity, and pornography, as they
are mashed into an amusing but dark comedy.
It will remain for a psychoanalyst
and a therapist to explain all the reasons that compel/impel Becky (Gerwig) to given
in to her intensified urges to have sex during the early stages of her pregnancy
and put her marriage at risk by being not only promiscuous but recklessly aggressive
about it. From my perspective, Becky's needs appear to be only partly the
result of a hormonal adjustment and a reluctant husband who doesn't want to
risk intercourse for fear of hurting the baby. What appears quite obvious is
that Becky doesn't want impending motherhood to put a damper on her increased desire
for sexual activity no matter what the course or the source..
It appears that husband
John (Jason Butler Harner) has suddenly shifted gears from being as sexually available
and adventurous as was Becky to being now almost romantically negligent, if not
right stupid and insensitive. Where the
two had previously shared a mutual enjoyment of pornographic videos, the collection
that has been saved and sent to their new home in the English countryside only
remains tantalizing to Becky.
An almost
light-hearted investigation of their once
intensely compatible relationship turns
a bit raunchy and risky when Becky turns, during John's business trips, to others in the quite little
village where good neighborliness comes either in the person of Jenny (Cara
Seymour), a friendly, chatty doctor's wife with two children, or more
meaningfully with sexual gratification from the town's married lothario Oliver
(Scott Shepherd) who brings Becky his wife's (also away on business) bike to
ride around on during her absence. With the bike in need of repair, Oliver's
visits leads to an affair that get messier and kinkier and all consuming by the
day and hour. That doesn't prevent Becky from also activating a sexual liaison
with Mike (Max Baker) a plumber, a lonesome
widower who has come to fix the leaky pipes. We've heard that joke before.
What makes Becky's bike-propelled
adventures interesting and somewhat courageously
beyond the genre of the typically British sex farce (the kind they don't write
any more) and the more sophisticated forays into the sexual dalliances of the middle
class by the prolific and well-known British playwright Alan Ayckbourne , is
the psycho-sexual twist in Becky's agenda once she begins to realize things are
getting out of control. Certainly Oliver sees the writing on the wall but
possibly a little too late for his own good. Although she has only a miniscule
role, Oliver's savvy wife Alice (Lucy Owen) makes a late appearance in the play
and with a few lines puts a sharp coda on a play that, under Sam Gold's fine
direction, makes us laugh, cringe, and empathize - not a bad thing to happen.
Of special interest
is the complicated set design by Laura Jellinek that is unsparing when it comes
to making the stage hands earn their keep. The entire set is dismantled and
rebuilt during intermission, an arduous undertaking that, from my perspective, is
as impractical an exercise in effecting meaningful change as the one that Becky
chooses. Looking at the new setting one has to wonder, just like Becky at the
end of the play, was it worth the trouble?
"The Village
Bike"
Lucille Lortel Theatre,
121 Christopher Street
For tickets ($75.00 -
$89.00) call 212 - 727 - 7722
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